Patema inverted ending sakasama no patema
![patema inverted ending sakasama no patema patema inverted ending sakasama no patema](https://i.pinimg.com/originals/78/e3/d5/78e3d51523ce089df9c146219d64e658.gif)
Instead, the initiative wilts alongside the film’s ideas, with flimsy characters and a stock villain, with neither world developed enough to support the muddled narrative. It’s a strong concept, and one that – at first – is executed with subtle flourishes of self-awareness of the genre’s conventions, with one scene cutting the traditional sweeping romantic music of Patema and Age’s first meeting into a record-scratch moment of cynicism.
![patema inverted ending sakasama no patema patema inverted ending sakasama no patema](https://i.ytimg.com/vi/VcvwUIHvmCA/mqdefault.jpg)
With no literal leg to stand on, Patema meets Age, a bereaved boy who feels equally trapped since his father’s death, and the upside-down pair unite in an existence gone topsy turvy. It is there that we meet Patema, a young princess of the underground determined to go above and see the sky.Īlas, Patema’s journey takes her into a world where the sky is an infinite drop and an oppressive, anti-inverts government rules. Thus, civilisation splits into the ‘real world’ and those that walk upside down under Earth’s recesses. The second feature-length film from director Yasuhiro Yoshiura, it introduces the concept of two worlds running parallel, the result of a botched scientific experiment that has reversed the effects of gravity. In the case of Japanese anime Patema Inverted (サカサマのパテマ, Sakasama no Patema), however, that is quite literally the case. Romantic cinema has always flirted with the idea of love turning lives upside down.